
Why it's worth it
Pale green prehnite in a gold setting rough enough to look carved from the earth.
The Edit
A split-band construction in hammered 18k gold vermeil over recycled silver holds a translucent oval prehnite cabochon in an open bezel — the rough-edged casting deliberately left unsmoothed for texture. The wide double-panel band sits flat against the finger, making the stone read as a standalone object rather than an ornament. Each stone is a one-off: prehnite's natural variation means the pale celadon hue shifts with every piece.
The details
- Form
- Sculptural
- Scale
- Statement
More like this
View All Picks →Paola Sighinolfi
Alice Ring
Why it's worth it
Cream cabochon inside a gold setting rough as a relic — the softness and the texture argue and both win.
La Manso
Almost Gold
Why it's worth it
Every one cast from a different old Barcelona mold — no two exist.
Mademoiselle Jules
Marea Ring - Gold
Why it's worth it
Baroque pearl in a gold bezel — the shape does what a round stone won't.